Ti Amo
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Though Phoenix's blend of soft rock, synth pop, disco, and indie has remained largely the same over the years, they've always given their albums distinctive moods. This is particularly true of Ti Amo, a reaction to the tumultuous late 2010s that feels timely, timeless, and unmistakably Phoenix. In the four years between Bankrupt! and this album, the world got a lot darker and scarier, with events such as the 2015 terrorist attacks in Paris defining the era's violence and uncertainty (due to a police lockdown during the attack at the Bataclan theater, Phoenix guitarist Christian Mazzalai was even trapped in their studio while they were making Ti Amo). Instead of responding with more darkness, Phoenix make the most of their good-natured music, channeling the sensual joys of an Italian summer into gelato-sweet and gelato-brief songs that suggest beauty and romance are always necessary, especially when times are tough. As the title implies, Ti Amo mixes love, lust, different languages, and soft-focus rock and disco into some of the band's most romantic music; the swelling arpeggios on the standout \"Lovelife\" feel like they could have been played on heartstrings instead of a synth. \"J-Boy\"'s impulsive fling is made all the more pointed by the song's imagery of dying coral reefs and kamikazes, while Thomas Mars' quasi-rap vocals prove once again that Phoenix are masters of turning corny into cool. Later, \"Fior di Latte\" (which takes its name from a type of cheese) serves up the kind of soft rock that could be cheesy in less skilled manos. Ti Amo's first half is one of the band's most consistent stretches of songs since Wolfgang Amadeus Phoenix, but the wispiness of its second half delivers mixed results. \"Goodbye Soleil\" captures a dream evaporating with twilight melancholy, but \"Role Model\" is harder to grasp, even with its massive choruses. \"Via Veneto\" is hazier still, as if the album is fading away before listeners' ears. Some of this must be intentional -- one of the main reasons Ti Amo's celebration of la dolce vita doesn't descend into escapism is because it's so fleeting. It's no coincidence that the most urgent song on the album, \"Fleur de Lys,\" takes its name from from one of the most classic symbols of France, while \"Telefono\" plays like a prologue that tracks a connection as it fades across time zones. Returning to normal life -- or worse -- might be inevitable, but Ti Amo's hazily gorgeous memories remain potent and poignant.
Our 11 villas and 2 rooms exude great charm. Built in a traditional Bahamian style, each one is surrounded by lush green palm trees and has direct access to the white sand beach. It's your chance to unplug and truly get away from it all.
An Orange Blossom and Ylang Ylang scent which evokes the enchantment of being in love and all the benefits that come along with it, Ti Amo finds a perfect coupling between the romanticism of a bright floral accord and the impulses of an indulgent Ambrée. Touches of Bergamot, Mandarin and Pineapple lend a juicy freshness to a blend of five lively spices which push Pink Pepper to the fore, like the blushing of cheeks. The individual characteristics of seven different flowers find the elegance of Rose, the freshness of Orange Blossom, and the creaminess of Ylang Ylang forming the bulk of the bouquet. A huge note of skin-evoking Sandalwood lends an intimate warmth, which appears to sink into a warm bath of liquid chocolate, as the creamy qualities of Vanilla, Cocoa and Tonka Bean swirl into a melting pot of edible indulgence. Suggesting at saucier moments to come, a lashing of Leather and the soft, balsamic sensuality of Ambergris coax the entire creation toward the direction the bedroom.
Heart Notes: Lily of the Valley, Rose de Mai, Neroli, Orange Blossom, Jasmin de Grasse, Ylang Ylang, Cistus, Heliotrope, Pineapple
Base Notes: Galbanum, Ginger, Pink Pepper, Cinnamon, Cumin, Saffron, Patchouli, Vetiver, Guaiacwood, Sandalwood, Vanilla, Cocoa, Tonka Bean, Carrot Seed, Orris, Labdanum, Ambergris, Musk
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The Laguna Beach City Council on Tuesday directed city staff to complete the steps necessary to close escrow on the property at the purchase price of $2.7 million. The panel also certified an initial study and mitigated negative declaration.
The vast majority of the public communications to come in for the item were opposed to the city moving forward with the acquisition of the land, especially if it would be used to place a fire station there.
To close escrow, the city will have to file a notice of determination, complete the escrow documents and pay the full purchase price by Sept. 6, Jeremy Frimond, a senior management analyst for the city, said. The next step could be to determine the specific use of the site. A date to return to council to discuss that use has not been set.
The split vote by the council mirrors the vote recorded at the June 15 meeting, when the panel decided to hire Rincon Consultants Inc. to look at the possible civic uses for the property and conduct the environmental analysis associated with such projects.
Iseman questioned why an appraisal was not done before agreeing to purchase the property, and she expressed a belief that the asking price was too high. She called on the council to rethink the purchase and explore opportunities at other locations.
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